Sorana Santos

- Composer. Writer. Singer. Piano-obsessed songwriting savante.

Musician and Writer

Journals from Sorana
I am a London-based lifetime music collector and music obsessive extraordinaire. There was rarely a day that went by without me playing the piano, composing and singing for at least three or four hours, after which I'd do my homework whilst taping and cataloguing John Peel sessions, writing songs, poems and letters, and playing guitar. I used to save my lunch money to buy CD's, then pawn my CD's to get to as many gigs as possible, and my lunch hours were spent working out songs and drum patterns in music rooms.

With the greatest of pleasure, I trained to grade 8 distinction on piano and cello before going on to gain my first degree in Composition from The Guildhall School of Music and Drama where I studied with my ultimate composition heroine, Diana Burrell.

Since that time I have performed and composed extensively for numerous major and independent labels, as well as composing film, ensemble and theatre pieces for for some highly inspirational and award-winning writers and performers.

I am intensely passionate about all things concerning the medium of song and made it my life's mission to become as much of an expert as I could be - hence my in-depth study of composition, voice, and literature. Consequently, much of my time is spent researching, composing and performing music on themes that explore and build boundaries between styles, concepts, cultures, and methodologies. I also publish occasional articles on my specialisms, and support others on their journey through providing a combination of guidance, resources, training in composition, songwriting and performance, and also through creating bespoke commissions for scores, arrangements, and session performances.

I am proudly represented for my creative writing by the wonderful people at Lazy Gramophone Press for whom I have currently completed my first book on contemporary music (scheduled for release in late 2012), and who kindly commission me for poetry.
My credits so far include: session work for Kingsize, Blang, Polydor Europe, Northstar, Sony BMG, the BBC, replacement of Florence (and the Machine) in Ashok, co-founder, composer & lead vocalist of The Heritage Orchestra precursor, K-Project; commissions from: Tracy Keeling, Ralitza Petrova, and The Landon Chamber Ensemble; prizes: Philip Bates Prize finalist, International Poetry Competition finalist, UK Songwriting Competition finalist; education: creation and implementation of programmes of study at The Guildhall School of Music and Drama and London’s Centre for Young Musicians. This is but the tip of the iceberg compared to the wonderful, genuine people that make up London's network of musicians that I am so grateful to have worked with and be connected to.
Words from Sorana
  • Poem: Ocean

    Written on 28/01/12

    . ... read more

  • Poem: Bone Ritual

    Written on 28/01/12

    ... read more

  • Article: Shostakovich and Socilaist Realism

    Written on 20/04/10

    Few events in political history have produced such fundamental cultural consequences as the October 1917 revolution. At that time, Russian music had become impoverished. Stravinsky went abroad,... read more

  • Article: On Lyric Writing, Part I

    Written on 20/04/10

    Let's clear this one up. Recently, a fan asked me where all the love songs, butterflies and flowers were in my lyrics. To save you from the answer he incurred I hereby inform you: As... read more

  • Poem: This Road

    Written on 20/04/10

    This Road I see her face when you make love to me and know youharbour silent affections, they show. I think of her when I can't keep you here and again when you conceal... read more

  • Poem: Fissures

    Written on 20/04/10

    Fissures When no such bitter mania did blaze, Nor barren need deliver me awake, Language on infinite thread fingers played, And there aroused your gaze. No heroines, no... read more

  • Poem: Moment's Notice

    Written on 20/04/10

    Moment's Notice* *(Apparently, a moment is defined as being three seconds long) The now is called the present Because it is a gift.... read more

YouTube from Sorana

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Title: Fado: Que Deus Me Perdoe
By: soranasantos
Video Gallery from Sorana

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Author: soranasantos

Title: Fado: Que Deus Me Perdoe

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